Swedish Royal Theatre Monopoly: Difference between revisions
(Created page with "In 1798, Gustav IV Adolf decided that within the city limits of Stockholm, only theatres funded by the court should be open. In practice, this resulted in the Swedish Royal Dramatic theatre and Opera being the only (professional) theatres within the city allowed to produce and showcase performances. The monopoly was abolished in 1842. == References == Hallgren, Karin: ''Borgerlighetens teater: om verksamhet, musiker och repertoar vid Mindre teatern i Stockholm 1842-63...") |
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Nordmark, Dag: "På Djurgårdsteatern." In: Forser, Tomas, Lagerroth, Ulla-Britta & Nordin Hennel, Ingeborg (eds.). ''Ny svensk teaterhistoria 2. 1800-talets teater.'' Hedemora: Gidlund, 2007, 29-32. | Nordmark, Dag: "På Djurgårdsteatern." In: Forser, Tomas, Lagerroth, Ulla-Britta & Nordin Hennel, Ingeborg (eds.). ''Ny svensk teaterhistoria 2. 1800-talets teater.'' Hedemora: Gidlund, 2007, 29-32. | ||
"Majestätsbrott", https://sverigesradio.se/artikel/4116247 | |||
http://demokratimuseum.se/2020/02/07/tro-vad-du-vill/ | http://demokratimuseum.se/2020/02/07/tro-vad-du-vill/ | ||
Latest revision as of 10:53, 1 February 2023
In 1798, Gustav IV Adolf decided that within the city limits of Stockholm, only theatres funded by the court should be open. In practice, this resulted in the Swedish Royal Dramatic theatre and Opera being the only (professional) theatres within the city allowed to produce and showcase performances.
The monopoly was abolished in 1842.
References
Hallgren, Karin: Borgerlighetens teater: om verksamhet, musiker och repertoar vid Mindre teatern i Stockholm 1842-63. Acta Universitatis Upsaliensis, Diss. Uppsala: Univ., Uppsala, 2000.
Nordmark, Dag: "På Djurgårdsteatern." In: Forser, Tomas, Lagerroth, Ulla-Britta & Nordin Hennel, Ingeborg (eds.). Ny svensk teaterhistoria 2. 1800-talets teater. Hedemora: Gidlund, 2007, 29-32.
"Majestätsbrott", https://sverigesradio.se/artikel/4116247