Djurgårdsteatern: Difference between revisions
No edit summary |
|||
| Line 7: | Line 7: | ||
In 1795, Abraham de Broen (1759–1804), actor at the Royal Dramatic Theatre, asked for the permission to build and run a theatre. A theatre-privilege was given to himself, his wife and their children for as long as they wished to use it. In 1798, a new theatre monopoly was stated, which banned all theatres except the royal ones inside the city border of Stockholm. | In 1795, Abraham de Broen (1759–1804), actor at the Royal Dramatic Theatre, asked for the permission to build and run a theatre. A theatre-privilege was given to himself, his wife and their children for as long as they wished to use it. In 1798, a new theatre monopoly was stated, which banned all theatres except the royal ones inside the city border of Stockholm. | ||
When the Djurgårdsteatern was opened in 1801, however, it was located on Djurgården, at the time an island outside the city itself, and furthermore, it was not what was counted as a "real theatre"; it was what was called a "summer theatre", active only in summers (from 1 May until 1 October),<ref>Ullberg p 9</ref> and often called "The Summer stage". Thereby, it did not threaten the royal monopoly. | When the Djurgårdsteatern was opened in 1801, however, it was located on Djurgården, at the time an island outside the city itself, and furthermore, it was not what was counted as a "real theatre"; it was what was called a "summer theatre", active only in summers (from 1 May until 1 October),<ref>Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 9.</ref> and often called "The Summer stage". Thereby, it did not threaten the royal monopoly. | ||
The staff at the theatre was described as "former footmen and maids", indicating that most of the performers were amateurs. | The staff at the theatre was described as "former footmen and maids", indicating that most of the performers were amateurs. | ||
| Line 20: | Line 20: | ||
[[File:Anna Pettersson, rollporträtt - SMV - H6 097.tif|thumb|Anna Pettersson in the title role in Yngste löjtnanten at Djurgårdsteatern 1885.]] | [[File:Anna Pettersson, rollporträtt - SMV - H6 097.tif|thumb|Anna Pettersson in the title role in Yngste löjtnanten at Djurgårdsteatern 1885.]] | ||
[[File:Djurgårdsteatern 1929.jpg|thumb|Djurgårdsteatern burns 1929]] | [[File:Djurgårdsteatern 1929.jpg|thumb|Djurgårdsteatern burns 1929]] | ||
The first building was ready in 1801, and was refered to as "spektakelladan" (spectacle-barn) or "baraquen" (the barrack) due to its primitive nature. The architecture was simple as were the materials that were mostly donated, such as planks from wrecked ships and other thrown away material.<ref>Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 9-10.</ref> The theatre was built in a hurry, as there were rumors of a circus director with plans to also play theatre – a possible competitor to de Broen and his privilege to erect and manage a theatre.<ref>Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 10.</ref> | |||
In 1863, Djurgårdsteatern burnt down, and the de Broen's privilege was abolished, but it was rebuilt again in 1866-67 and continued with its activity until it burnt down again in 1929. | In 1863, Djurgårdsteatern burnt down, and the de Broen's privilege was abolished, but it was rebuilt again in 1866-67 and continued with its activity until it burnt down again in 1929. | ||
Revision as of 12:04, 21 December 2022
Djurgårdsteatern (English: The Djurgården Theatre) was a theatre on the island of Djurgården in the city of Stockholm, active between 1801 to 1929.
History[1]
In 1795, Abraham de Broen (1759–1804), actor at the Royal Dramatic Theatre, asked for the permission to build and run a theatre. A theatre-privilege was given to himself, his wife and their children for as long as they wished to use it. In 1798, a new theatre monopoly was stated, which banned all theatres except the royal ones inside the city border of Stockholm.
When the Djurgårdsteatern was opened in 1801, however, it was located on Djurgården, at the time an island outside the city itself, and furthermore, it was not what was counted as a "real theatre"; it was what was called a "summer theatre", active only in summers (from 1 May until 1 October),[2] and often called "The Summer stage". Thereby, it did not threaten the royal monopoly.
The staff at the theatre was described as "former footmen and maids", indicating that most of the performers were amateurs.
However, it was also often used as a stage for traveling theatre troupes passing through Stockholm. Also, many of the actors from the Royal Dramatic theatre and the Royal Swedish Opera made guest performances, making their débuts and started their careers here. The actors at Djurgårsteatern also toured on the country side. It was described as a smaller, more informal and less high pitched theatre.
After the death of Abraham de Broen, it was managed by his widow Maria Elisabeth Grundt and his son, actor Isaac de Broen. Christina Margareta Cederberg took over the theatre after the death of her husband Isaac in 1814, until she passed on the leadership of the theatre to Karl Wildner, the husband of her sister-in-law, in 1815.
In the 1830s, Djurgårdsteatern entered a new age when it was the place of the abolishment of the royal theatre privilege in Stockholm. After the great theatre strike on the Royal Dramatic theatre by the actor couple Ulrik Torsslow and Sara Torsslow in 1834, the Torsslow couple left the royal theatre along with many other stars, who started to perform the Djurgårdsteatern in summer and in Kirsteinska huset, a concert house, in winter. The director of the Djurgården theatre, Isaac de Broen's brother-in-law Karl Wildner, married to Debora Aurora de Broen, then transferred the old theatre privilege of the de Broen-family on Torsslow and Pierre Deland, who worked on abolishing the old theatre regulation. In the 1841–1842 season, Torsslow stated, that he would start to play on Djurgårsteatern in the winters as well, no matter if he was stopped or not, and as the government did not wish to stop him, the old regulation was formally abolished in 1842. This quickly led to the establishment of several new theatres, such as Mindre teatern (or Nya teatern) in 1842, Södra teatern (1852) and Ladugårdslandsteatern (1856).
Theatre Building
The first building was ready in 1801, and was refered to as "spektakelladan" (spectacle-barn) or "baraquen" (the barrack) due to its primitive nature. The architecture was simple as were the materials that were mostly donated, such as planks from wrecked ships and other thrown away material.[3] The theatre was built in a hurry, as there were rumors of a circus director with plans to also play theatre – a possible competitor to de Broen and his privilege to erect and manage a theatre.[4]
In 1863, Djurgårdsteatern burnt down, and the de Broen's privilege was abolished, but it was rebuilt again in 1866-67 and continued with its activity until it burnt down again in 1929.
Directors[5]
- 1801-1804: Abraham de Broen
- 1804-1809: Maria Elisabet de Broen (widow of Abraham)
- 1809-1814: Isaac de Broen (son of Maria Elisabet)
- 1814-1815: Christina Margareta Cederberg (widow of Isaac)
- 1815-1835: Karl Wildner (married to Isaac's sister Debora Aurora de Broen)
- 1835-1837: Pierre Deland (Isaac's son-in-law)
- 1835-1849: Ulrik Torsslow (1835-37 jointly with Deland)
- 1849-1861: Pierre Deland (second term)
- ↑ https://en.wikipedia.org/wiki/Djurgårdsteatern
- ↑ Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 9.
- ↑ Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 9-10.
- ↑ Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993, p. 10.
- ↑ https://en.wikipedia.org/wiki/Djurgårdsteatern
Sources
- Ullberg, Hans, Djurgårdsteatern: en teaters historia 1801-1929, Höjerings bokförlag, Stockholm, 1993